UDFMTSFY - BA (Hons) Film and Television Studies (including foundation year)
Course Specification
| Validation status | Validated | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Highest award | Bachelor of Arts | Level | Honours | |||||||||
| Possible interim awards | ||||||||||||
| Total credits for course | 480 | |||||||||||
| Awarding institution | London Metropolitan University | |||||||||||
| Teaching institutions | London Metropolitan University | |||||||||||
| School | School of Computing and Digital Media | |||||||||||
| Subject Area | Creative Technologies and Digital Media | |||||||||||
| Attendance options |
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| Course leader | ||||||||||||
About the course and its strategy towards teaching and learning and towards blended learning/e-learning
The BA Film and Television (including foundation year) Studies combines the theoretical, historical and cultural study of film and television with opportunities for practical and industry learning.
Students explore a wide variety of theories, approaches, national cinemas and television industries, engaging in critical analysis of both text and context. With both core and optional modules, the course provides students with a wide-ranging knowledge and understanding of the film and television industries and their global cultural significance. Practical skills of filmmaking and screenwriting are developed, as well as up-to-date industry knowledge. Students are able to gain transferrable skills throughout the course via student presentations, group work, original and secondary research, coursework planning and practice-based assignments, as well as through the opportunity for work-related learning. Essential to the course is the approach of the University’s Education for Social Justice Framework, ensuring that learning and teaching are inclusive and expand student knowledge both historically and in today’s world. Students begin their studies at level 3 with both core learning in the theory and history of film, television and media, audio-visual practice, and the essential development of writing and study skills in preparation for university level study. Subsequently, students combine academic, historical and cultural analysis of film and television with practical filmmaking and industry-based learning. Through this combination and the integration of student choice, the course provides students with the academic, industrial and practical knowledge and transferrable skills required for a wide variety of careers in the cultural industries.
Students will experience a variety of teaching and learning approaches from a course team of leading researchers and practitioners, including lectures, seminars, film screenings, workshops, group work, and blended learning via the university’s virtual learning environment. Students are expected to complement their in-class and blended learning opportunities with extensive guided independent study and to be actively engaged in their learning. Developmental learning encourages students to reflect on their learning experience, and formative and summative assignments including portfolios, essay and project planning, presentations, short-film screenplays and film provide opportunities for early feedback and development. A student-centred approach is embedded in the course approach to assessment so that students are able to write, present and make films about themes and topics of interest developed through the course of their study and that draw on personal identities and histories. Learning strategies on the course are designed to promote transferrable skills of communication, independent thinking, the ability to work effectively with others, work planning and independent responsibility. Student feedback and engagement with teaching and learning strategies are promoted via student representatives and course committees. Learning facilities include large screen lecture theatres, film and television studios, digilab facilities, and flexible open-learning spaces. Students also have access to audio-visual equipment and the extensive facilities of the university’s Learning Centre.
Course aims
Course Aims:
• To develop and expand students’ understanding of film and television theories and histories, opening students up to new areas of knowledge and experience, and broadening and deepening existing knowledge;
• To enable students to engage in critical analysis of texts, fields of knowledge, concepts, and cultural and production practices, testing their analysis against existing or preconceived understanding;
• To promote student engagement with world history and culture, enabling them to reflect in turn on their place in the world;
• To develop student’s practical skills and the opportunity for creative expression and/or thinking in a range of activities including digital film and television production and screenwriting;
• To promote students’ creativity in originating and developing innovative ideas, solving problems, design and aesthetics, fostered through personal development and self-awareness;
• To develop students’ confidence and abilities in reading the representational, technological and cultural significance of film, television and cultural texts and contexts;
• To encourage students’ critical reflection on their learning and experience both throughout their studies and as a transferrable skill for future career achievement
Course learning outcomes
On successful completion of this course, students will be able to:
UL0. Demonstrate confidence, resilience, ambition and creativity and will act as inclusive, collaborative and socially responsible practitioners/professionals in their discipline.
LO1. Demonstrate a knowledge and understanding of key debates and theoretical perspectives in Film and Television Studies, including those that extend beyond the Western canon;
LO2. Understand the representational, technological and cultural significance of film, television and cultural texts and canons;
LO3. Analyse the role of film and television in contributing to political and cultural debates and the contestation of power;
LO4. Demonstrate an understanding of and/or ability to engage in cultural and production practices, applying theoretical understanding to production processes such as constructing audio-visual narratives, writing for the screen, camera operation, framing and composition, use of editing and other software, audio recording and editing, and lighting;
LO5. Identify, evaluate and employ research methods (for example, refereed research articles and/or original materials appropriate to Film and Television Studies);
LO6. Research and present an extended piece of research or practical equivalent;
LO7. Be able to locate, retrieve, evaluate and draw upon a range of data, sources, and conceptual frameworks appropriate to research, production and professional practice;
LO8. Communicate information, ideas, problems and solutions effectively verbally and/or non-verbally, electronically and in writing, showing sensitivity and openness to different ideas and approaches;
LO9. Manage their learning and work with minimal supervision, responding to specific briefs and deadlines;
LO10. Demonstrate flexibility, initiative and/or personal responsibility/resilience .
Principle QAA benchmark statements
Subject Benchmark Statement: Communication, Media, Film and Cultural Studies [April 2024]
Assessment strategy
The course provides a variety of assessment strategies designed to promote and evidence students’ engagement with academic, practice-based and experiential learning. Assessments are both formative and summative to promote developmental learning, and include formal essays, presentations, portfolios, case studies, practice-based assessments such as scriptwriting, short film-making exercises, and reflection on work-related, skills-based learning. Module assessment is frequently designed around connected summative assessments, providing opportunities for initial research, planning and group work to develop towards final assessments, and so providing opportunities to demonstrate good academic practice. Through the validation processes, course committees and informal feedback, students have the opportunity to engage with the development of the course assessment strategy. Draft assessments may be submitted to tutors and receive written and in-person feedback prior to formal submission of summative assessments. Students will be provided with both formative and summative feedback in a variety of forms including in-class, tutorials, on-line, and formal written feedback via WebLearn. Students are encouraged to attend individual tutorials to gain additional understanding of written feedback.
The course’s wide variety of assessments enables students to demonstrate effectively their knowledge and understanding and to demonstrate their creative skills and communication skills. Student choice is an essential element of the assessment strategy, enabling students to engage with assessments in ways that reflect individual identities and histories, and to engage with themes and topics of individual interest. Feedback on assessment is timely, constructive and developmental, promoting student engagement and reflection in preparation for future assignments. Equitable marking is ensured through processes that include blind marking and internal moderation at all levels, and external moderation of modules at levels 5 and 6.
Organised work experience, work based learning, sandwich year or year abroad
Students have the option to take a work-related learning module and engage directly with work-related experience during their period of study. Within the module they have the opportunity to reflect on their experience and skills gained in order to combine both practice-based and critical learning. The module demonstrably contributes towards the student’s portfolio of employable skills, providing the opportunity for students to demonstrate how they have developed high-level transferrable and career management skills, or how their work has demonstrably contributed towards their engagement with the discipline of Film and Television Studies.
Course specific regulations
They would normally proceed through the program, taking only half the number of modules per year.
Modules required for interim awards
Certificate of Higher Education 120 credits at level 4
Diploma of Higher Education 240 credits, minimum 120 at level 5
Arrangements for promoting reflective learning and personal development
Strategies designed to promote students’ reflective learning and personal development planning are embedded across the course. Assessments including presentations and learning through workshops and seminars encourage student skills in communication and promote reflection on feedback, as well as providing opportunities to develop plans for both individual and group projects. Consistent reflection on the links between theory, practice and work-related learning is additionally central to course content. Formative feedback on assignments encourages students to reflect on and consistently develop their learning and forms an integrated aspect of the assessment strategy. Group work on both theory and practice modules promotes students’ engagement with group planning and teamwork. Throughout the course, students engage with the university’s specialists in career development, and guest lecturers from the film and television industries as an ongoing strategy to promote individual career planning and development. Through modules related to industry and work-related learning, students have opportunities to develop and reflect on their planning for and experience of a working environment or project and the skills developed. Through the first of two dissertation/project modules, personal development is extended to the higher level of students’ extended research and writing or planning for a major practice-based project, encouraging deeper learning skills of effective planning, reflection and engagement with feedback.
Career, employability and opportunities for continuing professional development
Successful completion of this course offers improved career opportunities in the creative and cultural industries, teaching, arts administration and a variety of media-related professions. The programme is also excellent preparation for further research or study. Students are introduced to a variety of career opportunities in the field through modules that engage with roles within the film and television industries and are provided with the opportunity to create commercial projects in the work-related learning module. Students are also prepared to go on to postgraduate study or further practice-based learning in readiness for careers in the creative industries or academia. A course team of leading academics and practitioners, as well as career development specialists provide guidance and support to students in their career planning throughout the course.
Career opportunities
Our creative technologies and digital media graduates have gone on to exciting careers as content programmers, fashion copywriters, motion graphic designers, multimedia journalists and visual effects production assistants, radio presenters, studio runners and producers in companies such as D2 Interactive, TK MAXX, Motion Picture Company, Virtual Arts, Volant Media and We Are Capture.
On graduation you’ll also have opportunities to enter postgraduate study.
Entry requirements
In addition to the University's standard entry requirements, you should have:
- at least one A level (or a minimum of 32 UCAS points from an equivalent Level 3 qualification, eg BTEC Subsidiary/National/BTEC Extended Diploma)
- English Language GCSE at grade C/4 or above (or equivalent, eg Functional Skills at Level 2), if you meet the UCAS points criteria but obtained a grade D/3 in English at GCSE you may be offered a University test in this area
Official use and codes
| Approved to run from | 2019/20 | Specification version | 1 | Specification status | Validated |
|---|---|---|---|---|---|
| Original validation date | 04 Sep 2019 | Last validation date | 04 Sep 2019 | ||
| Sources of funding | HE FUNDING COUNCIL FOR ENGLAND | ||||
| JACS codes | |||||
| Route code | FMTSFY | ||||
Stage 1 Level 03 September start Offered
| Code | Module title | Info | Type | Credits | Location | Period | Day | Time |
|---|---|---|---|---|---|---|---|---|
| SM3050 | Making News for TV | Core | 15 | NORTH | SPR | TUE | AM | |
| SM3051 | Media Contexts | Core | 15 | NORTH | AUT | TUE | AM | |
| SM3052 | Pop, Pulp and Politics | Core | 15 | NORTH | SPR | THU | PM | |
| SM3054 | Studio Craft: Music Video Production | Core | 15 | NORTH | SPR | THU | AM | |
| SM3056 | Studio Craft: Filmmaking | Core | 15 | NORTH | AUT | TUE | PM | |
| SM3057 | Writing for Media | Core | 15 | NORTH | AUT | THU | PM | |
| SM3058 | Studio Craft - InDesign | Core | 15 | NORTH | AUT | WED | PM | |
| SM3059 | Studio Craft - Photoshop | Core | 15 | NORTH | SPR | TUE | PM |
Stage 1 Level 03 January start Offered
| Code | Module title | Info | Type | Credits | Location | Period | Day | Time |
|---|---|---|---|---|---|---|---|---|
| SM3050 | Making News for TV | Core | 15 | NORTH | SPR | TUE | AM | |
| SM3051 | Media Contexts | Core | 15 | |||||
| SM3052 | Pop, Pulp and Politics | Core | 15 | NORTH | SPR | THU | PM | |
| SM3054 | Studio Craft: Music Video Production | Core | 15 | NORTH | SPR | THU | AM | |
| SM3056 | Studio Craft: Filmmaking | Core | 15 | |||||
| SM3057 | Writing for Media | Core | 15 | |||||
| SM3058 | Studio Craft - InDesign | Core | 15 | |||||
| SM3059 | Studio Craft - Photoshop | Core | 15 | NORTH | SPR | TUE | PM |
Stage 2 Level 04 September start Offered
| Code | Module title | Info | Type | Credits | Location | Period | Day | Time |
|---|---|---|---|---|---|---|---|---|
| CU4056 | Digital Skills | Core | 15 | NORTH | SPR | THU | PM | |
| MD4053 | Sound Design for Linear Media | Core | 15 | NORTH | SPR | MON | PM | |
| SJ4050 | Moving Image Practice | Core | 15 | NORTH | AUT | MON | PM | |
| SJ4051 | Writing and Research Skills | Core | 15 | NORTH | AUT | THU | PM | |
| SJ4052 | Approaches to Film and Television Studies | Core | 15 | NORTH | SPR | MON | AM | |
| SJ4053 | Film Theory and Film Style | Core | 15 | NORTH | AUT | MON | AM | |
| SJ4062 | Evolution of Film: 1895 - 1950 | Core | 15 | NORTH | AUT | TUE | PM | |
| SJ4063 | Revolution of Film and Television: 1950 to the ... | Core | 15 | NORTH | SPR | TUE | PM |
Stage 3 Level 05 September start Offered
| Code | Module title | Info | Type | Credits | Location | Period | Day | Time |
|---|---|---|---|---|---|---|---|---|
| MD5057 | Location Sound and Dialogue Production | Core | 15 | NORTH | AUT | WED | AM | |
| MD5063 | Media Industry Roles | Core | 15 | NORTH | SPR | TUE | AM | |
| SJ5061 | Contemporary European Cinema | Core | 15 | NORTH | SPR | FRI | AM | |
| SJ5090 | Contemporary Television Studies | Core | 15 | |||||
| SJ5091 | Stardom, Performance and Celebrity | Core | 15 | NORTH | AUT | MON | PM | |
| SM5067 | Television Studio Practice | Core | 15 | NORTH | SPR | FRI | AM | |
| NORTH | SPR | FRI | PM | |||||
| MD5062 | Podcast Production and Sonic Branding | Option | 15 | NORTH | SPR | TUE | PM | |
| MD5064 | Popular Music: History and Culture | Option | 15 | NORTH | SPR | TUE | PM | |
| SJ5063 | Film and TV: Industry and Politics | Option | 15 | NORTH | AUT | TUE | PM | |
| SJ5064 | Journalism Industry Experience | Option | 15 | NORTH | SPR | WED | AM | |
| SJ5092 | Styling and Journalism | Option | 15 | NORTH | AUT | MON | AM | |
| SM5088 | Digital Project Management | Option | 15 | NORTH | AUT | TUE | PM | |
| SM5089 | Documentary Photography | Option | 15 | NORTH | SPR | TUE | PM | |
| SM5095 | Writing Short Films: Introduction to Screenwriting | Option | 15 | NORTH | AUT | TUE | PM |
