SJ5072 - Stardom and Performance (2024/25)
Module specification | Module approved to run in 2024/25 | ||||||||||||
Module title | Stardom and Performance | ||||||||||||
Module level | Intermediate (05) | ||||||||||||
Credit rating for module | 15 | ||||||||||||
School | School of Computing and Digital Media | ||||||||||||
Total study hours | 150 | ||||||||||||
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Assessment components |
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Running in 2024/25(Please note that module timeslots are subject to change) |
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Module summary
The module explores ideas around stardom and performance, considering their significance in relation to notions of identity, cultural context, filmic narrative and audience reception. A number of case studies will be examined as the module explores shifting ideas of stardom across both eras and screen media. Examining the ways in which individual stars’ images are constructed in relation to cultural attitudes towards race, gender and broader political contexts, the module explores the cultural significance and impact of stars. In addition, students learn how the performance styles of individual stars contribute to the creation of both character and star image. The module also promotes students’ primary research on the course, which is prompted through developmental assessment in which students are able to examine a star of their choice in relation to a particular topic.
This module aims to:
• Explore and debate issues of stardom, performance and star imagery
• Examine definitions of stardom as well as the various ways in which star images are constructed
• Locate and critically analyse star images within a cultural context
• Critically analyse the impact of star imagery and performance on film narrative and audience reception
• Develop students’ skills in original research
Prior learning requirements
N/A
Syllabus
The module will explore a variety of issues around stardom, star images and performance. Students are introduced to the core development of star mythology through film narratives which construct notions of charisma, similarity and difference.
Students will explore the variety of means through which star images are constructed, including fan magazines, general press, film reviews and screen performance.
The importance of performance style will be examined with respect to screen imagery, characterisation and narrative themes.
Through a number of case studies, the significance of star images in relation to cultural context and issues of identity will be explored.
Shifting ideas of stardom will also be considered, from key notions of glamour and aspiration in the Hollywood studio era, to contemporary television celebrity and the reality show.
Learning Outcomes LO 1 - 5
Balance of independent study and scheduled teaching activity
Learning and teaching on the module will be conducted via lectures, seminars, screenings, blended learning and students’ guided independent study. Students will be expected to enhance their learning in scheduled classes through guided research. Assessments tailored around individual student case studies provide students with the opportunity for primary research and planning in a developmental assessment strategy through to their final essays. This strategy, in addition, promotes students’ personal development, as individualized feedback on their planning and research enables students to reflect on and develop their learning and approach, providing for improved outcomes in their final essays.
Learning outcomes
On successful completion of this module, students will be able to:
(1) Critically debate key issues around stardom and performance
(2) Explore the construction of star images in relation to a variety of sources
(3) Critically analyse star images in relation to cultural context and issues of identity
(4) Critically analyse the impact of star images and performance on film narrative
(5) Demonstrate skills and abilities of original research in relation to star images
Bibliography
Core Texts:
Richard Dyer, Stars, 1979 (London: BFI, 1998)
Christine Gledhill, Stardom: Industry of Desire (Abingdon and New York: Routledge, 1991)
Karen McNally, When Frankie Went to Hollywood: Frank Sinatra and American Male Identity (Urbana and Chicago: University of Illinois Press, 2008)
James Naremore, Acting in the Cinema (Berkeley and Los Angeles: University of California Press, 1998)
Steven J. Ross, Hollywood Left and Right: How Movie Stars Shaped American Politics (Oxford and New York: Oxford University Press, 2011)
Other Texts:
Cynthia Baron and Sharon Marie Carnicke (eds.), Reframing Screen Performance (Ann Arbor: University of Michigan Press, 2008)
James Morrison (ed.), Hollywood Reborn: Movie Stars of the 1970s (New Brunswick and London: Rutgers University Press, 2010)
Anthony Slide, Inside the Hollywood Fan Magazine: A History of Starmakers, Fabricators and Gossip Mongers (Jackson, Mississippi: University of Mississippi Press, 2010)
Ian Gregory Strachan and Mia Mask (eds.), Poitier Revisited: Reconsidering a Black Icon in the Obama Age (New York and London: Bloomsbury, 2015)
Journals:
Camera Obscura
Cinema Journal
European Journal of American Culture
Michigan Quarterly Review
New Review of Film and Television Studies