SM4019 - Performance, Art and Film Ideas 1 (2019/20)
|Module specification||Module approved to run in 2019/20|
|Module title||Performance, Art and Film Ideas 1|
|Module level||Certificate (04)|
|Credit rating for module||30|
|School||School of Art, Architecture and Design|
|Total study hours||300|
|Running in 2019/20||
This module explores a cross-disciplinary approach to art and cultural studies, centred in the concept of performance as a starting point. It will introduce key questions in performance, art and film theories and relate these to a selection of historical and contemporary practitioners. The module is intended to provide students with an introductory range of critical and creative strategies, which is to inform their development across the whole course, both in BA Theatre and Performance Practice and in BA Theatre and Film.
Through a range of activities, this module will examine links and parallels between artistic disciplines and broader cultural questions and introduce students to an interdisciplinary approach to research, promoting links between theoretical and creative practices in the field. The module will provide an introductory range of critical strategies and knowledge that can be transferred to a variety of subjects across the programme and develop academic skills (e.g. essay writing, study skills, assignment presentation), applicable across the course.
The module begins by questioning the definition of performance, looking at this in the context of cultural identity. Increasingly, it traces links between ideas of performance in a range of artistic disciplines: in particular, theatre, dance, film and visual art. LO1
The second part of the module establishes a historical panorama of key practitioners in the above disciplines, centred in a selection of topical themes, e.g. body, text, mise-en-scène, gender, class etc. LO1, LO2, LO3
In the last part of the module, students are guided in the creation of independent projects assessed as portfolios, in which they envision a short original performance or film work, referencing the ideas and practitioners covered throughout the course of the year. On selected weeks, study skills workshops support academic development both on this module and across the course. LO1, LO2, LO3
Balance of independent study and scheduled teaching activity
Scheduled teaching ensures that independent study is effective and addresses the learning outcomes and assessment tasks. Students are expected to, and have the opportunity to, continue with their studies outside of scheduled classes. There will be a range of learning strategies deployed and individual learning styles will be accommodated. The module’s learning outcomes, its contents and delivery, have been scrutinised and will be regularly reviewed to ensure an inclusive approach to pedagogic practice.
The module and course utilise the University’s blended learning platform to support and reinforce learning, to foster peer-to-peer communication and to facilitate tutorial support for students. Reflective learning is promoted through assessment items and interim formative feedback points that ask students to reflect on their progress, seek help where they identify the opportunity for improvement in learning strategies and outcomes, and make recommendations to themselves for future development. Throughout the module, students build a body of work, including reflections on progress and achievement.
The School’s programme of employability events and embedded work-related learning within the curriculum supports students’ personal development planning. Through these initiatives, students are increasingly able, as they progress from year to year, to understand the professional environment of their disciplines, the various opportunities available to them, and how to shape their learning according to their ambitions.
The following learning and teaching strategies are employed in the course of this module:
• multimedia lectures;
• student-led seminars;
• online activities through blended learning approaches;
• practical creative tasks (occasional practical workshops, creative writing, design, photography and videography);
• visits to relevant points of interest;
• interviews to professionals in the industry;
• short professional placements (where applicable).
On completion of this module students will be able to:
Cognitive intellectual abilities
1. relate practices in performance, art and film to broader questions in cultural studies;
2. use critical terminology and related strategies to investigate and to communicate the subjects in question, as well as to be used in parallel modules on the course;
Subject specific skills
3. demonstrate a broad knowledge of key practitioners and tendencies in historical and contemporary performance, art and film.
The assessment modes utilised in this module are intended to promote and test the development of broad academic skills as well as subject specific knowledge and interdisciplinary awarenesses, in line with the learning outcomes.
Learning Reflection: this is a short written submission, preceded by formative feedback, in which students will be asked to reflect on an activity undertaken during the course, by referencing a key idea explored in the module (e.g. performance and performativity). LO1, LO2
Essay: this is a short analysis of a suggested live performance and/or film, relevant to the subject in question. Here, students are assessed on their developing academic skills, evidencing the ability to utilise critical terminology and to devise and sustain arguments. LO1, LO2
Seminar presentation: this is a short group presentation in which students will analyse and communicate the relevance of the weekly theme to a suggested practitioner of performance, art or film. The use of IT presentation tools will be encouraged in this task and students will be required to submit an online version of their presentation through Weblearn. LO2, LO3
Project portfolio: for this written task, students will be encouraged to conceive and communicate a concept for a new theatre or film short inspired by the practitioners studied and the concepts explored thus far. The portfolio must include: 1) an original creative text (this may be integrated with photography, videography, design and creative writing); 2) a discussion of the issues explored with reference to both the theoretical perspectives featured in the module and a range of examples of practitioners/ productions/ dramatic texts. LO1, LO2, LO3
Allain, P. and Harvie J. (2006) The Routledge companion to Theatre and Performance, London: Routledge
Aston, E. and Savona, G. (1991) Theatre as Sign System, London: Routledge
Barthes, R. (1977) Image, Music, Text, London: Fontana
Bial, H. (ed.) (2003) The Performance Studies Reader, London: Routledge
Counsell, C. and Wolf, L. (eds.)(2001) Performance Analysis, London: Routledge
Davis, T. (ed.) (2008) The Cambridge companion to Performance Studies, Cambridge: CUP
Fortier, M. (2002) Theory/Theatre, NY: Routledge
Gale, M. and Deeney, J. (2010) Routledge Drama Anthology and Sourcebook, London: Routledge
Schechner, R. (2006) Performance Studies: an Introduction, NY: Routledge
Wiles, D. and Dymkowski C. (2012) The Cambridge Companion to Theatre History, Cambridge: CUP
Whitmore, J. (1994) Directing Postmodern Theater, Ann Arbor: University of Michigan Press